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Global Music Editing Software Market Size, Status and Forecast 2020-2026


Music Editing Software market is segmented by Type, and by Application. Players, stakeholders, and other participants in the global Music Editing Software market will be able to gain the upper hand as they use the report as a powerful resource. The segmental analysis focuses on revenue and forecast by Type and by Application in terms of revenue and forecast for the period 2015-2026.

The key players covered in this study
    Audacity
    Ableton
    Avid
    StudioOne
    Adobe
    Apple
    FL Studio
    Audiotool
    Steinberg
    Native Instruments
    Harrison Consoles
    Acoustica
    MuLab
    Reaper
    Reason
    Renoise
    PreSonus

Market segment by Type, the product can be split into
    Windows
    Mac OS
    Linux
Market segment by Application, split into
    Amateur
    Professional

Market segment by Regions/Countries, this report covers
    North America
    Europe
    China
    Japan
    Southeast Asia
    India
    Central & South America
1 Report Overview
    1.1 Study Scope
    1.2 Key Market Segments
    1.3 Players Covered: Ranking by Music Editing Software Revenue
    1.4 Market by Type
        1.4.1 Global Music Editing Software Market Size Growth Rate by Type: 2020 VS 2026
        1.4.2 Windows
        1.4.3 Mac OS
        1.4.4 Linux
    1.5 Market by Application
        1.5.1 Global Music Editing Software Market Share by Application: 2020 VS 2026
        1.5.2 Amateur
        1.5.3 Professional
    1.6 Study Objectives
    1.7 Years Considered

2 Global Growth Trends
    2.1 Global Music Editing Software Market Perspective (2015-2026)
    2.2 Global Music Editing Software Growth Trends by Regions
        2.2.1 Music Editing Software Market Size by Regions: 2015 VS 2020 VS 2026
        2.2.2 Music Editing Software Historic Market Share by Regions (2015-2020)
        2.2.3 Music Editing Software Forecasted Market Size by Regions (2021-2026)
    2.3 Industry Trends and Growth Strategy
        2.3.1 Market Top Trends
        2.3.2 Market Drivers
        2.3.3 Market Challenges
        2.3.4 Portera??s Five Forces Analysis
        2.3.5 Music Editing Software Market Growth Strategy
        2.3.6 Primary Interviews with Key Music Editing Software Players (Opinion Leaders)

3 Competition Landscape by Key Players
    3.1 Global Top Music Editing Software Players by Market Size
        3.1.1 Global Top Music Editing Software Players by Revenue (2015-2020)
        3.1.2 Global Music Editing Software Revenue Market Share by Players (2015-2020)
        3.1.3 Global Music Editing Software Market Share by Company Type (Tier 1, Tier 2 and Tier 3)
    3.2 Global Music Editing Software Market Concentration Ratio
        3.2.1 Global Music Editing Software Market Concentration Ratio (CR5 and HHI)
        3.2.2 Global Top 10 and Top 5 Companies by Music Editing Software Revenue in 2019
    3.3 Music Editing Software Key Players Head office and Area Served
    3.4 Key Players Music Editing Software Product Solution and Service
    3.5 Date of Enter into Music Editing Software Market
    3.6 Mergers & Acquisitions, Expansion Plans

4 Market Size by Type (2015-2026)
    4.1 Global Music Editing Software Historic Market Size by Type (2015-2020)
    4.2 Global Music Editing Software Forecasted Market Size by Type (2021-2026)

5 Market Size by Application (2015-2026)
    5.1 Global Music Editing Software Market Size by Application (2015-2020)
    5.2 Global Music Editing Software Forecasted Market Size by Application (2021-2026)

6 North America
    6.1 North America Music Editing Software Market Size (2015-2020)
    6.2 Music Editing Software Key Players in North America (2019-2020)
    6.3 North America Music Editing Software Market Size by Type (2015-2020)
    6.4 North America Music Editing Software Market Size by Application (2015-2020)

7 Europe
    7.1 Europe Music Editing Software Market Size (2015-2020)
    7.2 Music Editing Software Key Players in Europe (2019-2020)
    7.3 Europe Music Editing Software Market Size by Type (2015-2020)
    7.4 Europe Music Editing Software Market Size by Application (2015-2020)

8 China
    8.1 China Music Editing Software Market Size (2015-2020)
    8.2 Music Editing Software Key Players in China (2019-2020)
    8.3 China Music Editing Software Market Size by Type (2015-2020)
    8.4 China Music Editing Software Market Size by Application (2015-2020)

9 Japan
    9.1 Japan Music Editing Software Market Size (2015-2020)
    9.2 Music Editing Software Key Players in Japan (2019-2020)
    9.3 Japan Music Editing Software Market Size by Type (2015-2020)
    9.4 Japan Music Editing Software Market Size by Application (2015-2020)

10 Southeast Asia
    10.1 Southeast Asia Music Editing Software Market Size (2015-2020)
    10.2 Music Editing Software Key Players in Southeast Asia (2019-2020)
    10.3 Southeast Asia Music Editing Software Market Size by Type (2015-2020)
    10.4 Southeast Asia Music Editing Software Market Size by Application (2015-2020)

11 India
    11.1 India Music Editing Software Market Size (2015-2020)
    11.2 Music Editing Software Key Players in India (2019-2020)
    11.3 India Music Editing Software Market Size by Type (2015-2020)
    11.4 India Music Editing Software Market Size by Application (2015-2020)

12 Central & South America
    12.1 Central & South America Music Editing Software Market Size (2015-2020)
    12.2 Music Editing Software Key Players in Central & South America (2019-2020)
    12.3 Central & South America Music Editing Software Market Size by Type (2015-2020)
    12.4 Central & South America Music Editing Software Market Size by Application (2015-2020)

13 Key Players Profiles
    13.1 Audacity
        13.1.1 Audacity Company Details
        13.1.2 Audacity Business Overview
        13.1.3 Audacity Music Editing Software Introduction
        13.1.4 Audacity Revenue in Music Editing Software Business (2015-2020))
        13.1.5 Audacity Recent Development
    13.2 Ableton
        13.2.1 Ableton Company Details
        13.2.2 Ableton Business Overview
        13.2.3 Ableton Music Editing Software Introduction
        13.2.4 Ableton Revenue in Music Editing Software Business (2015-2020)
        13.2.5 Ableton Recent Development
    13.3 Avid
        13.3.1 Avid Company Details
        13.3.2 Avid Business Overview
        13.3.3 Avid Music Editing Software Introduction
        13.3.4 Avid Revenue in Music Editing Software Business (2015-2020)
        13.3.5 Avid Recent Development
    13.4 StudioOne
        13.4.1 StudioOne Company Details
        13.4.2 StudioOne Business Overview
        13.4.3 StudioOne Music Editing Software Introduction
        13.4.4 StudioOne Revenue in Music Editing Software Business (2015-2020)
        13.4.5 StudioOne Recent Development
    13.5 Adobe
        13.5.1 Adobe Company Details
        13.5.2 Adobe Business Overview
        13.5.3 Adobe Music Editing Software Introduction
        13.5.4 Adobe Revenue in Music Editing Software Business (2015-2020)
        13.5.5 Adobe Recent Development
    13.6 Apple
        13.6.1 Apple Company Details
        13.6.2 Apple Business Overview
        13.6.3 Apple Music Editing Software Introduction
        13.6.4 Apple Revenue in Music Editing Software Business (2015-2020)
        13.6.5 Apple Recent Development
    13.7 FL Studio
        13.7.1 FL Studio Company Details
        13.7.2 FL Studio Business Overview
        13.7.3 FL Studio Music Editing Software Introduction
        13.7.4 FL Studio Revenue in Music Editing Software Business (2015-2020)
        13.7.5 FL Studio Recent Development
    13.8 Audiotool
        13.8.1 Audiotool Company Details
        13.8.2 Audiotool Business Overview
        13.8.3 Audiotool Music Editing Software Introduction
        13.8.4 Audiotool Revenue in Music Editing Software Business (2015-2020)
        13.8.5 Audiotool Recent Development
    13.9 Steinberg
        13.9.1 Steinberg Company Details
        13.9.2 Steinberg Business Overview
        13.9.3 Steinberg Music Editing Software Introduction
        13.9.4 Steinberg Revenue in Music Editing Software Business (2015-2020)
        13.9.5 Steinberg Recent Development
    13.10 Native Instruments
        13.10.1 Native Instruments Company Details
        13.10.2 Native Instruments Business Overview
        13.10.3 Native Instruments Music Editing Software Introduction
        13.10.4 Native Instruments Revenue in Music Editing Software Business (2015-2020)
        13.10.5 Native Instruments Recent Development
    13.11 Harrison Consoles
        10.11.1 Harrison Consoles Company Details
        10.11.2 Harrison Consoles Business Overview
        10.11.3 Harrison Consoles Music Editing Software Introduction
        10.11.4 Harrison Consoles Revenue in Music Editing Software Business (2015-2020)
        10.11.5 Harrison Consoles Recent Development
    13.12 Acoustica
        10.12.1 Acoustica Company Details
        10.12.2 Acoustica Business Overview
        10.12.3 Acoustica Music Editing Software Introduction
        10.12.4 Acoustica Revenue in Music Editing Software Business (2015-2020)
        10.12.5 Acoustica Recent Development
    13.13 MuLab
        10.13.1 MuLab Company Details
        10.13.2 MuLab Business Overview
        10.13.3 MuLab Music Editing Software Introduction
        10.13.4 MuLab Revenue in Music Editing Software Business (2015-2020)
        10.13.5 MuLab Recent Development
    13.14 Reaper
        10.14.1 Reaper Company Details
        10.14.2 Reaper Business Overview
        10.14.3 Reaper Music Editing Software Introduction
        10.14.4 Reaper Revenue in Music Editing Software Business (2015-2020)
        10.14.5 Reaper Recent Development
    13.15 Reason
        10.15.1 Reason Company Details
        10.15.2 Reason Business Overview
        10.15.3 Reason Music Editing Software Introduction
        10.15.4 Reason Revenue in Music Editing Software Business (2015-2020)
        10.15.5 Reason Recent Development
    13.16 Renoise
        10.16.1 Renoise Company Details
        10.16.2 Renoise Business Overview
        10.16.3 Renoise Music Editing Software Introduction
        10.16.4 Renoise Revenue in Music Editing Software Business (2015-2020)
        10.16.5 Renoise Recent Development
    13.17 PreSonus
        10.17.1 PreSonus Company Details
        10.17.2 PreSonus Business Overview
        10.17.3 PreSonus Music Editing Software Introduction
        10.17.4 PreSonus Revenue in Music Editing Software Business (2015-2020)
        10.17.5 PreSonus Recent Development

14 Analyst's Viewpoints/Conclusions

15 Appendix
    15.1 Research Methodology
        15.1.1 Methodology/Research Approach
        15.1.2 Data Source
    15.2 Disclaimer
    15.3 Author Details

List of Tables Table 1. Music Editing Software Key Market Segments Table 2. Key Players Covered: Ranking by Music Editing Software Revenue Table 3. Ranking of Global Top Music Editing Software Manufacturers by Revenue (US$ Million) in 2019 Table 4. Global Music Editing Software Market Size Growth Rate by Type (US$ Million): 2020 VS 2026 Table 5. Key Players of Windows Table 6. Key Players of Mac OS Table 7. Key Players of Linux Table 8. Global Music Editing Software Market Size Growth by Application (US$ Million): 2020 VS 2026 Table 9. Global Music Editing Software Market Size by Regions (US$ Million): 2020 VS 2026 Table 10. Global Music Editing Software Market Size by Regions (2015-2020) (US$ Million) Table 11. Global Music Editing Software Market Share by Regions (2015-2020) Table 12. Global Music Editing Software Forecasted Market Size by Regions (2021-2026) (US$ Million) Table 13. Global Music Editing Software Market Share by Regions (2021-2026) Table 14. Market Top Trends Table 15. Key Drivers: Impact Analysis Table 16. Key Challenges Table 17. Music Editing Software Market Growth Strategy Table 18. Main Points Interviewed from Key Music Editing Software Players Table 19. Global Music Editing Software Revenue by Players (2015-2020) (Million US$) Table 20. Global Music Editing Software Market Share by Players (2015-2020) Table 21. Global Top Music Editing Software Players by Company Type (Tier 1, Tier 2 and Tier 3) (based on the Revenue in Music Editing Software as of 2019) Table 22. Global Music Editing Software by Players Market Concentration Ratio (CR5 and HHI) Table 23. Key Players Headquarters and Area Served Table 24. Key Players Music Editing Software Product Solution and Service Table 25. Date of Enter into Music Editing Software Market Table 26. Mergers & Acquisitions, Expansion Plans Table 27. Global Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 28. Global Music Editing Software Market Size Share by Type (2015-2020) Table 29. Global Music Editing Software Revenue Market Share by Type (2021-2026) Table 30. Global Music Editing Software Market Size Share by Application (2015-2020) Table 31. Global Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 32. Global Music Editing Software Market Size Share by Application (2021-2026) Table 33. North America Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 34. North America Key Players Music Editing Software Market Share (2019-2020) Table 35. North America Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 36. North America Music Editing Software Market Share by Type (2015-2020) Table 37. North America Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 38. North America Music Editing Software Market Share by Application (2015-2020) Table 39. Europe Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 40. Europe Key Players Music Editing Software Market Share (2019-2020) Table 41. Europe Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 42. Europe Music Editing Software Market Share by Type (2015-2020) Table 43. Europe Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 44. Europe Music Editing Software Market Share by Application (2015-2020) Table 45. China Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 46. China Key Players Music Editing Software Market Share (2019-2020) Table 47. China Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 48. China Music Editing Software Market Share by Type (2015-2020) Table 49. China Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 50. China Music Editing Software Market Share by Application (2015-2020) Table 51. Japan Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 52. Japan Key Players Music Editing Software Market Share (2019-2020) Table 53. Japan Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 54. Japan Music Editing Software Market Share by Type (2015-2020) Table 55. Japan Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 56. Japan Music Editing Software Market Share by Application (2015-2020) Table 57. Southeast Asia Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 58. Southeast Asia Key Players Music Editing Software Market Share (2019-2020) Table 59. Southeast Asia Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 60. Southeast Asia Music Editing Software Market Share by Type (2015-2020) Table 61. Southeast Asia Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 62. Southeast Asia Music Editing Software Market Share by Application (2015-2020) Table 63. India Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 64. India Key Players Music Editing Software Market Share (2019-2020) Table 65. India Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 66. India Music Editing Software Market Share by Type (2015-2020) Table 67. India Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 68. India Music Editing Software Market Share by Application (2015-2020) Table 69. Central & South America Key Players Music Editing Software Revenue (2019-2020) (Million US$) Table 70. Central & South America Key Players Music Editing Software Market Share (2019-2020) Table 71. Central & South America Music Editing Software Market Size by Type (2015-2020) (Million US$) Table 72. Central & South America Music Editing Software Market Share by Type (2015-2020) Table 73. Central & South America Music Editing Software Market Size by Application (2015-2020) (Million US$) Table 74. Central & South America Music Editing Software Market Share by Application (2015-2020) Table 75. Audacity Company Details Table 76. Audacity Business Overview Table 77. Audacity Product Table 78. Audacity Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 79. Audacity Recent Development Table 80. Ableton Company Details Table 81. Ableton Business Overview Table 82. Ableton Product Table 83. Ableton Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 84. Ableton Recent Development Table 85. Avid Company Details Table 86. Avid Business Overview Table 87. Avid Product Table 88. Avid Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 89. Avid Recent Development Table 90. StudioOne Company Details Table 91. StudioOne Business Overview Table 92. StudioOne Product Table 93. StudioOne Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 94. StudioOne Recent Development Table 95. Adobe Company Details Table 96. Adobe Business Overview Table 97. Adobe Product Table 98. Adobe Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 99. Adobe Recent Development Table 100. Apple Company Details Table 101. Apple Business Overview Table 102. Apple Product Table 103. Apple Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 104. Apple Recent Development Table 105. FL Studio Company Details Table 106. FL Studio Business Overview Table 107. FL Studio Product Table 108. FL Studio Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 109. FL Studio Recent Development Table 110. Audiotool Business Overview Table 111. Audiotool Product Table 112. Audiotool Company Details Table 113. Audiotool Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 114. Audiotool Recent Development Table 115. Steinberg Company Details Table 116. Steinberg Business Overview Table 117. Steinberg Product Table 118. Steinberg Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 119. Steinberg Recent Development Table 120. Native Instruments Company Details Table 121. Native Instruments Business Overview Table 122. Native Instruments Product Table 123. Native Instruments Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 124. Native Instruments Recent Development Table 125. Harrison Consoles Company Details Table 126. Harrison Consoles Business Overview Table 127. Harrison Consoles Product Table 128. Harrison Consoles Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 129. Harrison Consoles Recent Development Table 130. Acoustica Company Details Table 131. Acoustica Business Overview Table 132. Acoustica Product Table 133. Acoustica Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 134. Acoustica Recent Development Table 135. MuLab Company Details Table 136. MuLab Business Overview Table 137. MuLab Product Table 138. MuLab Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 139. MuLab Recent Development Table 140. Reaper Company Details Table 141. Reaper Business Overview Table 142. Reaper Product Table 143. Reaper Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 144. Reaper Recent Development Table 145. Reason Company Details Table 146. Reason Business Overview Table 147. Reason Product Table 148. Reason Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 149. Reason Recent Development Table 150. Renoise Company Details Table 151. Renoise Business Overview Table 152. Renoise Product Table 153. Renoise Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 154. Renoise Recent Development Table 155. PreSonus Company Details Table 156. PreSonus Business Overview Table 157. PreSonus Product Table 158. PreSonus Revenue in Music Editing Software Business (2015-2020) (Million US$) Table 159. PreSonus Recent Development Table 160. Research Programs/Design for This Report Table 161. Key Data Information from Secondary Sources Table 162. Key Data Information from Primary Sources List of Figures Figure 1. Global Music Editing Software Market Share by Type: 2020 VS 2026 Figure 2. Windows Features Figure 3. Mac OS Features Figure 4. Linux Features Figure 5. Global Music Editing Software Market Share by Application: 2020 VS 2026 Figure 6. Amateur Case Studies Figure 7. Professional Case Studies Figure 8. Music Editing Software Report Years Considered Figure 9. Global Music Editing Software Market Size YoY Growth 2015-2026 (US$ Million) Figure 10. Global Music Editing Software Market Share by Regions: 2020 VS 2026 Figure 11. Global Music Editing Software Market Share by Regions (2021-2026) Figure 12. Porter's Five Forces Analysis Figure 13. Global Music Editing Software Market Share by Players in 2019 Figure 14. Global Top Music Editing Software Players by Company Type (Tier 1, Tier 2 and Tier 3) (based on the Revenue in Music Editing Software as of 2019 Figure 15. The Top 10 and 5 Players Market Share by Music Editing Software Revenue in 2019 Figure 16. North America Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 17. Europe Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 18. China Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 19. Japan Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 20. Southeast Asia Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 21. India Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 22. Central & South America Music Editing Software Market Size YoY Growth (2015-2020) (Million US$) Figure 23. Bottom-up and Top-down Approaches for This Report Figure 24. Data Triangulation Figure 25. Key Executives Interviewed

This research study involved the extensive usage of both primary and secondary data sources.  The research process involved the study of various factors affecting the industry, including the government policy, market environment, competitive landscape, historical data, present trends in the market, technological innovation, upcoming technologies and the technical progress in related industry, and market risks, opportunities, market barriers and challenges. Top-down and bottom-up approaches are used to validate the global market size market and estimate the market size for manufacturers, regions segments, product segments and applications (end users). All possible factors that influence the markets included in this research study have been accounted for, viewed in extensive detail, verified through primary research, and analyzed to get the final quantitative and qualitative data. The market size for top-level markets and sub-segments is normalized, and the effect of inflation, economic downturns, and regulatory & policy changes or other factors are not accounted for in the market forecast. This data is combined and added with detailed inputs and analysis from QYResearch and presented in this report.
 

After complete market engineering with calculations for market statistics; market size estimations; market forecasting; market breakdown; and data triangulation, extensive primary research was conducted to gather information and verify and validate the critical numbers arrived at. In the complete market engineering process, both top-down and bottom-up approaches were extensively used, along with several data triangulation methods, to perform market estimation and market forecasting for the overall market segments and sub segments listed in this report. Extensive qualitative and further quantitative analysis is also done from all the numbers arrived at in the complete market engineering process to list key information throughout the report.
 

Secondary Sources occupies Approximately 25% of Sources, such as press releases, annual reports, Non-Profit organizations, industry associations, governmental agencies and customs data, and so on; This research study involved the usage of widespread secondary sources; directories; databases such as Bloomberg Business, Wind Info, Hoovers, Factiva (Dow Jones & Company), TRADING ECONOMICS, and avention; Investing News Network; statista; Federal Reserve Economic Data; annual reports; BIS Statistics; ICIS; company house documents; CAS(American Chemical Society); investor presentations; and SEC filings of companies. Secondary research was used to identify and collect information useful for the extensive, technical, market-oriented, and commercial study of the Light Aircraft market. It was also used to obtain important information about the top players, market classification and segmentation according to industry trends to the bottom-most level, and key developments related to market and technology perspectives.
 

In the primary research process, various sources from both the supply and demand sides were interviewed to obtain qualitative and quantitative information for this report. The primary sources from the supply side include product manufacturers (and their competitors), opinion leaders, industry experts, research institutions, distributors, dealer and traders, as well as the raw materials suppliers and producers etc.
 

The primary sources from the demand side include industry experts such as business leaders, marketing and sales directors, technology and innovation directors, supply chain executive, end users (product buyers), and related key executives from various key companies and organizations operating in the global market.
 

Primary research was conducted to identify segmentation types, product price range, product applications, key players, raw materials supply and the downstream demand, industry status and outlook, and key market dynamics such as risks, influence factors, opportunities, market barriers, industry trends, and key player strategies.
 

Publisher: QY Research
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